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Randolph Scottis one of the most placeable and acclaimed doer in Western history , with a storied career spanning from 1928 to 1962 . Scott ’s command of the screen was not just down to his predominate , well - built 6'2 " frame , but also his charismatic manner of speaking , prima performance , and just looks . He built career - long collaboration withsome of the best Western directors in the genre , like Budd Boetticher and Henry Hathaway , which result in some of the most iconic Westerns of the fourth dimension , cementing his legacy as one of the era ’s strongest prima man .
ThoughScott appear in many unlike roles in legion varied genre , such as war , repugnance , and fantasy , it was his Western plastic film that sincerely coiffure him apart , showcasing his unconditioned ability to portray rugged , complex quality . Some ofthe best Westernshe starred in , such asRide the High CountryandRide Lonesome , show his skills at portraying a fighter with virtuously ambiguous quality in a narrative cater to all the essential Western image . Scott ’s Western work not only defined his career but helped redefine the other work in the Western music genre , presenting it as one of the most celebrated in all of picture palace .
10Man In The Saddle (1951)
As Owen Merritt
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serviceman in the Saddle is a 1951 westerly film depict a struggle between a diminished rancher and an influential neighbour . In a bid to protect his land , the rancher faces escalating hostility when his neighbor hires gunmen , prompt a violent opposition .
Man in the Saddleis a Western film direct by a caption in the genre Andre de Toth , based on author Ernest Haycox ’s 1938 novel of the same name . Scott stars as rancher Owen Merritt , who gets catch up in a deadly warwith a rich landowner who want to take over his ranch while also embark into a complicated love triangle with two very different charwoman . The picture show does an excellent job of weaving unlike themes of action at law , romance , and fierceness to create a captivating story about natural selection and resiliency .
While many Westerns in the musical genre go for all - out action , some prefer a more contemplative and measured pace , like High Noon and No Country for Old Men .
Though Scott would principally be jazz for his many quislingism with director Budd Boetticher , his work with de Toth should not be overshadowed , withMan in the Saddlebeing their first of six works together . While the tale is fairly straight , it does n’t lack in action , with a runaway wagon , gun battle , and heroic fist competitiveness , as well as the romantic subplot that does n’t take aside from but bring up the film ’s master plot line . It ’s a motion-picture show that has been immensely underrated , both in terms of the overall production and in Scott ’s commanding performance that drives everything forward .
9Riding Shotgun (1954)
As Larry Delong
Riding Shotgun is a westerly motion-picture show released in 1954 , boast Randolph Scott as a stagecoach guard . The plot centers around his endeavor to warn a township about an impending raid by criminal , only to be erroneously key as a mob member by the townspeople .
In another collaboration with Andre de Toth , Riding Shotgunis a Western adapt from Kenneth Perkins ' short write up " Riding Solo , " originally published in 1942.Scott stars as stagecoach guard duty Larry Delong as he is set up for murderin a town he is trying to save from the humanity who kill his sister and nephew in cold profligate . Larry hide out in the town ’s cantina until he can prepare for the larger-than-life climactic struggle , which is remindful of other Westerns likeHigh Noon , that sees a foresighted make - up pay off in a big way .
Riding Shotgunhas a 6.4/10 paygrade on IMDb , based on 1400 reviews .
tease Shotgunis innovative in its data format and production in a few ways , with Scott as the spark advance , narrating his internal thoughts throughout the film and the tempo of the movie playing out almost in actual time . These pick , while slacken things down , also tote up true tension and a gripping atmosphere , with the narration forcing the characters and viewers likewise into a claustrophobic scope away from the usual , heroic Western backdrops . The role of Delong sees Scott able-bodied to show off his immense versatility as a protagonist who is hitch between want justice and his will to survive .
8The Spoilers (1942)
As Alex McNamara
The Spoilers is a 1942 cinema centered on ship captain Roy Glennister , who try the assistance of saloon singer Cherry Malotte after being nobble out of his mine claim by the unscrupulous town loss leader Alexander McNamara .
Ray Enright’sThe Spoilersis an epical western star Scott , Marlene Dietrich , and John Wayne , and it isthe only Western Wayne and Scott would ever star in together . The pic is adjust during the gold rush in Alaska , withScott limn a conniving mining honcho who gets entangled in a erotic love triangleand attempts to swindle over $ 250,000 from the local landowners , as he and the township ’s judge are the law in the area . The moving picture mixes many themes , including romanticism , dedication , and action , to create a memorable Western with two of the bragging virtuoso in the music genre ’s story .
Westerns are typically a genre fulfill with gorgeous motion-picture photography , and this trend goes way back to the giving birth of the literary genre in the ‘ 40s and ‘ 50 .
Scott , who impersonate almost entirely heroes throughout his tenured career , does a leading job as the ruthless honcho in a theatrical role that showcases his scope as an thespian . The picture show did well at the box office , and Scott , even among the champion - studded cast , was one of the highlight , though at times he did feel upstaged by Wayne . The chemistry between the pair is undeniable , and , unfortunately , this was the only fortune to get to see them front off against one another in an activity - packed moving-picture show that finish with one of the skillful fistfights in westerly chronicle .
7The Bounty Hunter (1954)
As Jim Kipp
Andre De Toth’sThe Bounty Huntersees yet another collaboration with Scott as the two remain to create conjuring trick together on the big sieve . Scott play the nominal bounty hunting watch , Jim Kipp , who , after render yet another fugitive to the townspeople , is tax with his biggest bounty yet -hunt down a trio of robbers who stole $ 100,000 and incur a handsome payoff for the trouble . Scott ’s gritty functioning drives the narrative as the motion picture ’s plot stretch out into moral dilemmas and philosophic reflections on what it means to essay justice .
Andre De Toth and Randolph Scott get together on six films together;Man in the Saddle , The Stranger Wore a Gun , nose drops Over the Plains , Riding Shotgun , Carson City , and The Bounty Hunter .
The Bounty Hunterwas the last of the six collaborations between Scott and de Toth , and they left on a high , finishing with potentially their okay pic together . The movie was , once again , innovational , as it was the first metre to portray a bounty hunter as a desperate figure who was hold a force for good and righteousness rather than just a hired murderer . Scott ’s depiction dead encapsulates this as his genial and physical inner conflict plays out on the screen in a captivating and nuanced depiction in an intriguing report that also utilizes plenty of action .
Custom image of Randolph Scott in Ride the High Country, Comanche Station, and The Tall T
6Comanche Station (1960)
As Jefferson Cody
Comanche Stationis a minimalist Western famed for being the last of director Budd Boetticher ’s ' Ranown Cycle ' , a series of Westerns that saw him collaborate in multiple iterationswith actor Scott , screenwriter Burt Kennedy , and manufacturer Harry Brown . The pic follows Jefferson Cody ( Scott ) , a brave horseman who rescues a woman who was kidnapped and held captive by local Comanche pillager , only to look an as grueling and unsafe task to make it back home . The film has a unattackable worked up core running throughout the workplace , as the film utilize less dialogue and more resonant visuals .
The final film between Scott and Boetticher feels like the end of an era , as the two collaborate with other virtuoso hand to make many of the era ’s finest Western . The cinematography , the pacing , the setting , and the intricate narratives allperfectly hail together to grow an unbelievable workthat showcases Scott ’s unequalled power to play an understated yet intense function . The final confrontation is dead built up and the moving-picture show overall is a testament to Scott ’s acting - expertly directed by Boetticher - cement him as one ofthe all - clip cracking worker in the Western genre .
5Buchanan Rides Alone (1958)
As Tom Buchanan
Buchanan Rides Aloneis the fourth installation of the Ranown Cycle , once again steer by Budd Boetticher and star Scott in the lead role , base on Jonas Ward ’s 1956 novel The Name ’s Buchanan . The film follows Tom Buchanan ( Scott ) , a vagrant who plan to come back home to Texasto start his spread , but a stop in a small town sees him get imply in a local clan state of war and framed for slaying . The film is played slightly tongue - in - cheek as there are several comedic sequences and humorous line not often found in Westerns with exchangeable motive .
The 10 Best Randolph Scott ’s western On This List :
IMDb Rating :
Man in the Saddle is a 1951 Western film depicting a struggle between a small rancher and an influential neighbor. In a bid to protect his land, the rancher faces escalating hostilities when his neighbor hires gunmen, prompting a violent confrontation.
Man in the Saddle ( 1951 )
6.3/10
Riding Shotgun ( 1954 )
6.4/10
The Spoilers ( 1942 )
6.7/10
The Bounty Hunter ( 1954 )
6.6/10
Comanche Station ( 1960 )
Riding Shotgun is a Western film released in 1954, featuring Randolph Scott as a stagecoach guard. The plot centers around his efforts to warn a town about an impending raid by outlaws, only to be mistakenly identified as a gang member by the townspeople.
7.0/10
Buchanan Rides Alone ( 1958 )
6.8/10
The Spoilers is a 1942 film centered on ship captain Roy Glennister, who seeks the help of saloon singer Cherry Malotte after being swindled out of his mine claim by the unscrupulous town leader Alexander McNamara.
Ride Lonesome ( 1959 )
7.1/10
The Tall MT ( 1957 )
7.3/10
Seven Men from Now ( 1956 )
7.4/10
Ride the High Country ( 1962 )
The film progresses as Buchanan continues to test and avoid trouble , but the more he aims to avoid it , the further into degeneracy and violence he settle . Scott evince another side to his act certification ashe effortlessly be the more light - hearted , comedic rolewhile also displaying some of the common taciturn and intense elements that have made his roles so memorable . The final third sees Buchanan ’s intelligence information and slyness eventually pay off , combine with the witty duologue and Scott ’s flawless manner of speaking , making it a Western that goes above and beyond the usual expectations .
4Ride Lonesome (1959)
As Ben Brigade
Boetticher’sRide Lonesomeis one of the most celebrated and well-thought-of entries in the Ranown Cycle , which sees the conductor continue his advanced originative techniques . The film seesScott star as bounty hunter Ben Brigade , who has enchant and is escorting back a wild outlaw for his reinforcement , but on his direction , he is call into question by two reprobate who want to pitch the human being back themselves so they can meet pardon for previous crimes . The film sport an ensemble stamp , include genre royal line like Pernell Roberts , Lee Van Cleef , and James Coburn .
The westerly genre lends itself to epic narratives , with great films over three hours long like dance with Wolves hit a fount for longer Westerns .
Ride Lonesomecontinues to show why the multi - film collaboration between conductor and actoris so important , crafting many genre - defining works in a short flow . The motion picture has a gripping story that is perfectly acted and impeccably paced , with Scott stand out , but the support ramble more than hold their own . Scott ’s depiction of a bounty hunting watch is , again , a morally complex and complicated one , with a superimposed perspective that showcases his talents for depict the equivocally natured graphic symbol in a pic that has a palpable atmosphere and plenty of gunslinging action .
3The Tall T (1957)
As Pat Brennan
establish on one of eminent Western author Elmore Leonard ’s stories , The Tall Tis another all - star topology collaboration between Brown , Boetticher , Scott , and Kennedy . Scott whizz as Pat Brennan , a humanity who is simply making his way home to his ranch when the stagecoach he is on is held up by three violent and volatile outlaws . When he and a fresh married woman on the motorcoach are held for ransom money , it ’s up to Pat to spoil the pack ’s plan and save the 24-hour interval . Scott delivers a tour - de - force execution as a ranch owner who go above and beyond the call of tariff and face off against the spoiled guys at overpowering odds .
The Tall Twas selected for the U.S. National Film Registry as being ' culturally , historically , or aesthetically significant ' in 2000 .
The Tall Tdelves into many of the complex themes that make a great Western , such as survival , morality , and conclusion . Scott , along with Richard Boone and Maureen O’Sullivan , gives some of the best performances in Western history . The triplet play off each other and elevates all three performances in a stuffy - quarter setting that explodes with action . The film is a masterclass in methodical storytelling , adding warmth and emotion to an action mechanism - filled story that make it one of Scott ’s most underappreciated workings .
2Seven Men From Now (1956)
As Ben Stride
Seven Men from Now , also known as7 Men from Now , is the very first film in the Ranown Cycle and the very base that would go on to produce six other incredible western . The movie ’s plot sees a multi - layered narration , with Scott starring as former sheriff Ben Stride , who is seeking payback on the seven men responsible for for his wife ’s murderduring a depository financial institution looting . Scott ’s portrayal of Stride is truly an expert at study as the ex - sheriff is haunted by his role in his married woman ’s death , having lost his job , which result in his married woman having to function in the coin bank , resulting in a bitter , furious , and lost character .
Sam Elliott ’s best Western roles in his storied career resulted in some iconic movie and television performances of complex and layered westerly character .
The film has an ensemble cast feature the likes of Gail Russell and Lee Marvin , who offer ample keep for Scott ’s career - defining delineation of Stride . Seven Men from Nowshows the strength and nuance of Scott ’s act versatility , as he deftly portray a military man who is at once , both determined and arduous - nosed yet emotional and vulnerable , a rare dichotomy that not many actor can pull off , and do so effortlessly . The crescendo of the final natural process sequence is masterfully aim , and it ’s a combination of all aspects , from carrying out to military action , that makes it one of the epoch ’s right Westerns .
1Ride The High Country (1962)
As Gil Westrum
Ride the High Country , released in 1962 , features an ex-husband - lawman tasked with enrapture gold from a mining community through treacherous terrain .
Though Boetticher and Scott had many epic collaborations , Scott ’s considerably - ever celluloid was with come out young director Sam Peckinpah , who would go on to become a westerly legend in his own right . The film stars Scott and Joel McCrea inone of the best Westerns where two fabled actors squad upas two get on ex - lawmen who must navigate one last Book of Job of transporting Au to a mining camp . The film ’s plot admit a turn when one of the Man decides that it would be better if the gold never made it to the camp , thus make a rift that explores covetousness , guilt feelings , morality , and loyalty in a tension - filled narrative .
twit the High Countryis a poignant and introspective film , demonstrate two retired lawmen make do with existential and philosophic dilemmas , and while not an all - action at law affair , the aroused and mental stakes make it one of the most undischarged Westerns of the era . The beautiful filming , superb dialogue and help the film showcase an elder man manage with his legacy and life , mirroring the real - life enquiry fromRandolph Scotthimself . This performance would be his last ever role , marking a truly meet conclusion to an over-the-top career , result at the top with the best body of work .
