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Summary
Disneyis best know for its animise film , of which many have gotten sequels – some more successful than others – , but Walt Disney never made subsequence to the animated movies he was imply in . Disney continues to be a powerhouse in the human race of animation and pic with a home - favorable tincture , and it all began in 1937 withSnow White and the Seven Dwarfs . The movie became the first animate lineament film produced in the United States and the first cel - recreate lineament cinema , garner a home in history and being widely regarded as one of the greatest exalt flick of all time .
Since then , Disney has bring about several live - action at law and animated flick , though the latter have become the studio ’s trademark . Disney ’s reanimate moviesare a combination of adaption of legends and pouf tales as well as some original story , every one of them telling complete stories with appropriate endings . However , the Mouse House has also produced some not - so - democratic sequels for some of its animate movies , thoughmost of the movies superintend by Walt Disney himself never get sequels , and there are strong reason for that .
Mickey Mouse might be Walt Disney Studio ’s mascot but amazingly , he does not hold the record for most appearance in Disney movies .
Walt Disney Didn’t Believe In Sequels To His Animated Works
Walt Disney Had Clear Ideas About Sequels
In 1966 , Walt Disney described himself as a “ endure experimenter ” and revealed he did n’t believe in sequels .
Walt Disney Pictures was founded in 1923 as Walt Disney Productions , and Walt Disney himself was involved in the production of both alive and live - action movies . Despite the many movies produce during Disney ’s lifetime and with himself serve as producer , Walt Disney had some firm impression that would go on to shape the studio apartment and its legacy . In 1966 , Walt Disney described himself as a “ born experimenter ” and revealed he did n’t believe in sequel as he had to move on to newfangled things because “ there are many novel worlds to conquer ” ( viaD23).Walt Disney , then , prefer originality and creativityover thrive already explore stories .
The Sword in the Stone , relinquish in 1963 , was the last animated movie to be released in Walt Disney ’s lifetime and to have him as producer . Walt Disney hand off in 1966 .
Unfortunately , Walt Disney ’s idea about sequels were n’t honour and many of the revive flick he develop finally grow continuation many twelvemonth later .
Walt Disney was even very specific aboutSnow White and the Seven Dwarfsnever getting a sequela it was “ the one that started it all ” , though he was involved in the making of a sequel little titledSnow White Returns . Ultimately , Walt Disney decided not to move onward with it , but study of it can be ground on the Diamond Edition ofSnow White and the Seven Dwarfsand online . Unfortunately , Walt Disney ’s thought about sequels were n’t honored and many of the animated motion-picture show he produce finally got continuations many yr later , but they did n’t win .
Snow White and the Seven Dwarfs almost got a prequel and a sequel , which would have answered three with child mystery about the main characters .
Disney’s First Theatrically Released Animated Sequel Was The Rescuers Down Under
The Disney Renaissance Marked A Big First In Disney History
AlthoughThe Rescuers Down Underwas well - received by critics , it was a box - position bomb , but it was a first in Disney history as the first animate film continuation theatrically free by Walt Disney Pictures .
In 1989 , Disney insert a new era known as the Disney Renaissance . This came after a long streak of commercial and critical failures in the late 1970s and former 1980s , and the Disney Renaissance brought back the studio apartment ’s popularity and high quality . The Disney Renaissance kicked off withThe Little Mermaidin 1989 , directed by John Musker and Ron Clements . The Little Mermaidwas a critical and commercial succeeder , and the Disney Renaissance continued up until 1999 with the press release ofTarzan . The Disney Renaissance also marked a big first in Disney history in 1990 withThe Rescuers Down Under .
train by Hendel Butoy and Mike Gabriel , The Rescuers Down Underis the subsequence to the 1977 animated movieThe Rescuers , which was a critical and commercial-grade success . AlthoughThe Rescuers Down Underwas well - receive by critics , it was a corner - office dud , but it was a first in Disney history as the first enliven film sequel stagily released by Walt Disney Pictures . After that , Disneytoon Studios develop a form of direct - to - video sequelsto many of Disney ’s animated movies , both from the Disney Renaissance and before it , such asThe petty Mermaid II : regress to the Sea , Return to Never Land , andCinderella II : pipe dream amount reliable .
Custom image by Yeider Chacon.
Disney ’s animated feature film films are commonly box office strike , but their oft - traduce straight person - to - video sequels also turn a honest profit .
Why Many Disney Animated Sequels Failed
Sadly, Not All Disney Animated Sequels Have Succeeded
Another trouble is that the quality of the Disneytoon - produce continuation was nothing like that of the original movies .
While some sequels to Disney ’s revivify picture have benefit an hearing as years pop off by , many became known for their low tone , both ocular and narrative . The biggest problem with these sequels are that they are completely unnecessary , as the first movie gave closure to the quality , and they are made to capitalise on the success of the first movie rather than in good order expanding on their worlds . Another problem is that the quality of the Disneytoon - produced sequels was nothing like that of the original film , withthe overall animation looking cheaper and messy .
Although Disney now has sequels likeFrozen IIthat were both a critical and commercial winner , the studio has n’t been able-bodied to to the full shake off the unfit legacy of its past animated sequels . Walt Disneywas right in not being a fan of sequels and favoring creativity and originality instead , which is definitely what the studio apartment now ask as it continues to make sequels and now bouncy - legal action versions of its enliven movies .
Source : D23 .
